This carefully tended portrait of Jackie Robinson, the man who broke Major League Baseball’s color barrier, settles for too little. Jackie Robinson (Chadwick Boseman) endures long odds and societal racism to join the Brooklyn Dodgers. Harrison Ford is fun as the general manager who brought him up, Branch Rickey. The film treads too carefully, a primer, a story that protects and enshrines Robinson and that feels like a production watched very carefully by his survivors. Boseman is highly capable, but the filmmakers failed to ask much of him. PG-13 (thematic elements including language).
Jordan (Halle Berry) is a hotshot 911 operator in Los Angeles. On a call in which she tries to coach a teenage girl away from a home invasion, Jordan slips up, fails, and the girl is abducted and murdered. Dedicated to redeem herself, Jordan gets another emergency call in the form of Casey (Abigail Breslin), who has been drugged and kidnapped and wakes up in the trunk of a speeding car. Jordan has to coach the hysterical teen through a series of daunting situations. Berry is enough of a pro to handle this, but the film is kind of a dud. R (for violence, disturbing content and some language). 1:36. 2 stars.
It’s “Ice Age” with humans and less ice. The Croods are a brood of cavepeople; there’s Ugg (Nicolas Cage), Ugga (Catherine Keener), Eep (Emma Stone) and some others. Earthquaked out of their dwelling, the Crood brood embarks on a search for a new home. They come across Guy (Ryan Reynolds), a caveboy who knows about fire and has things called “ideas.” Guy leads the Croods toward a place he calls “Tomorrow” where survival lies. Not a whole lot here, and like most Dreamworks vehicles, it’s way too much. PG (some scary action).EVIL DEAD
This remake of Sam Raimi’s 1983 cult classic offers plenty of reasons to jump and turn away. Mia (Jane Levy) has quit drugs, and her withdrawal confuses her senses. Her brother and her friends have brought her to the cabin in the woods to cure her. But is she seeing visions of demonic possession, or is this simply the cold turkey playing tricks on her mind? There’s a demon that jumps from human to human, and more splashing bodily fluids than one knows what to do with. All in all, it’s okay, and likely a franchise ... again. R (strong bloody violence and gore, some sexual content and language).
G.I. JOE: RETALIATION
The action is nonstop in this sequel. But do we really want our action to never end? Like, ever? The plot concerns the murder of the Pakistani president, stolen nukes, a frame-up job by COBRA disgracing the Joes. The Joes fight back. Spoiler alert: They win. Sure, there’s Channing Tatum as Duke, Dwayne Johnson as Roadblock, and even ole Bruce Willis as the original Joe, but the movie plays out like a video game, and I think we’ve learned by now that there should be a difference. PG-13 (intense sequences of combat violence and martial arts action throughout, and for brief sensuality and language).
This movie version of Stephenie Meyers’ departure from the “Twilight” series is painful to watch. Earth has been invaded by creatures from another galaxy called Souls. Some Souls called Seekers locate humans to serve as hosts for other Souls. Saoirse Ronan plays Melanie, whose body is sublet by a Soul named Wanderer. Melanie and her Soul become frenemies, and Melanie arm-twists her visitor to return to Melanie’s cave-dwelling survivalist clan. Then Wanderer falls in love with Ian (Jake Abel). And then ... you get the picture. It’s agonizingly slow and just not very good. PG-13 (some sensuality and violence).
JURASSIC PARK 3-D
This Spielberg classic is back, with its lunging raptors and roaring T. rexes now in 3-D. The result is great, since the film has always been so much more powerful on the big screen than on TV. When tycoon John Hammond (Richard Attenborough) creates an isolated theme park where he has back-engineered dinosaurs to life, a group of visiting scientists gets caught running for their lives when the attractions escape their cages. It really is a fun movie, and the dinos were made for 3-D. PG-13 (intense science-fiction terror).
In the latest Tom Cruise star vehicle, Jack Harper is a Mr. Fix-It in the year 2077, living and working high above what’s left of Earth after a devastating war with invading aliens. Most of the population has been relocated to a Saturn moon, except for the “scavs” led by Morgan Freeman. Jack knows something’s up when ihis boss, Sally (Melissa Leo), orders him to stay away from a crash-landing site. Of course he goes and rescues the lone surviver who just happens to be the woman from his dreams. No really. It’s interesting, but very slow. PG-13 (sci-fi action violence, brief strong language and some sensuality/nudity).
OLYMPUS HAS FALLEN
This movie is “Die Hard in the White House,” where terrorists appear out of nowhere to storm Washington, take over the White House and seize the president (Aaron Eckhart) and most of the cabinet. Their only hope is former Secret Service agent Mike Banning (Gerard Butler), the only man who knows how to get into the fortified presidential bunker where the hostages are. Banner proceeds to stab, shoot and strangle his way through legions of terrorists. There are much better thrillers out there; this one is just a manifestation of a first-person shooter video game. R (strong violence and language throughout).
OZ: THE GREAT AND POWERFUL. Sam Raimi’s digital blockbuster prequel to the Hollywood classic is uneven but agreeably managed. Oscar “Oz” Diggs (James Franco) is a carny magician who departs 1905 Kansas via tornado and lands in Oz. He runs into witches, including Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), and has the company of a winged monkey (voiced by Zach Braff). Oz must lead the revolution to restore order to the land. There are big sights, electric shocks, lots of 3-D and those monkey minions. PG (sequences of action and scary images, and brief mild language). 2:10. 2 1/2 stars. -- M.P.
THE PLACE BEYOND THE PINES. Luke (Ryan Gosling) is a motorcycle stunt performer traveling with a two-bit carnival. Coming through small town N.Y., he learns he has fathered a son with a local waitress (Eva Mendes). Luke turns to bank robbery while also trying to establish a relationship with his son. Then, the story switches to the police officer (Bradley Cooper) who is plagued by becoming known as the hero who pursued the “moto-bandit.” It’s a fine film with really solid actors playing well-written, authentic characters. R (language throughout, some violence, teen drug and alcohol use, and a sexual reference). 2:20. 3 1/2 stars. -- M.P.