The jarring jargon co-exists with Morello’s drawings of happy hippos. Like most art, it invites interpretation. In Johnson’s view, he’s contrasting the have-nots and the haves (rotund creatures “gobbling their food”).
Willie Nelson’s Trigger, named for movie-cowboy Roy Rogers’ horse, bears dozens of autographs, including Leon Russell, Roger Miller, Kris Kristofferson, Gene Autry, Waylon Jennings and Johnny Cash. Trigger’s top is worn clear through; Nelson chooses to leave it that way.
“The two of them,” notes the book, “continue to mature together.”
Life partners in perfect harmony.