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February 3, 2013

A Q&A with 'Warm Bodies' director Jonathan Levine

Eagle-Tribune: Your last film was “50/50,” which balanced a lot of sentiment and comedy, much like “Warm Bodies.” Was that good preparation for this film?

Levine: Yeah — “50/50” was a great training round for this, but it wasn’t just the combination of positivity and negativity in bleakness; it was just combining comedy and drama — just combining tones. I learned a lot from Seth (Rogen) and Evan (Goldberg) about that. So yeah, it totally helped me prepare for this.

Eagle-Tribune: Did you read the novel beforehand?

Levine: Yeah, Summit got me the book, and then I kind of auditioned or interviewed for the job and I got the job. Then, “50/50” came around maybe a month later. And “50/50” happened really quickly — other people had fallen out of it. So, between reading “50/50” and prepping it was like two weeks, and I started adapting the script up in Vancouver. This was going to happen before “50/50.”

Eagle-Tribune: Did the PG-13 rating prevent you from doing anything you really wanted to do with the film?

Levine: Well, I was never too worried because I view this movie as more following the footsteps of, say, “The Goonies” or “The Princess Bride” or even “WALL-E” — movies that have really nice hearts at the center of them, but also movies that are not super earnest and have a degree of cynicism to them. But I never thought that amping up the gore would help tell the story in any way; it wasn’t really about that. I wanted it to be gory because I wanted people who like zombies to not think we’re (expletive). So, we pushed it as far as we could within PG-13, but it wasn’t really about that.

Eagle-Tribune: All four of your features have been pretty different. What attracts you? Genre? Story?

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